354. Tuxedo Cocktail

My interpretation:
  1.5 oz Gin Lane 1751 Old Tom Gin
  1.5 oz Dolin Dry Vermouth
  3 dashes Angostura bitters
  1 dash Luxardo maraschino
  1 dash St. George absinthe verte

Fill mixing-glass half full with ice, stir well (about 30 seconds), strain into cocktail glass, add cherry (here Amarena), serve. —This heavy-hitter classic cocktail from the Tuxedo Club, NY, is offered by Grohusko in a redder, more heavily bittered incarnation. Straub 1913 sees Jack and raises him a barspoon of sherry wine (authentic secret or misguided allusion to the Tussetto? See previous post). McElhone garnishes this with a lemon twist. Craddock (in the No. 2 by this name) has cherry and expressed lemon peel, but the drink is shaken. For further information, see Difford’s detailed post.
 

346. Trilby Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  1 dash Regan’s Orange Bitters
  1 dash Angostura aromatic bitters
  2 barspoons Rothman & Winter crème de violette

Fill mixing-glass half full with ice, stir well (20-30 seconds), strain into cocktail glass, add cherry, add crème de violette carefully so that it settles in a clear layer at the bottom of the glass. — Of all the recipes going by the name Trilby, this one may be the most perplexing, due to the fact that the specific gravity of the concoction is not high enough to support a crème of any kind on its surface. This cannot be traced back further than JM1916. Straub 1913 has the recipe but calls only for a 1/6 jigger of Crème Yvette and does not specify floating or layering of any kind. He also uses Old Tom gin (that is usually the source of Grohusko’s generic term “gin,” and indeed it is supported by earlier editions calling for Tom gin). McElhone’s 1927 recipe replaces the Old Tom gin with scotch and the
Crème Yvette with Parfait d’Amour. The Old Waldorf Bar Days (1931) keeps (or rather, is the source of) Grohusko’s recipe, without specifying float or layering of the Crème Yvette, thus confirming the propriety of laying the blame at the feet of Grohusko (or whoever was his direct source).

321. Sherry Cocktail

My interpretation:
  2 oz Lustau Amontillado Los Arcos
  2 dashes Fee Brothers Cardamom Bitters
  1 dash Luxardo maraschino

Stir with ice, strain into cocktail glass, squeeze lemon peel, garnish with cherry (and lemon). — Obviously I have departed from Jack’s recipe on the supposition that a Sherry Cocktail ought properly to have sherry, not port. Port would have improved this cocktail (as would a superior bitters). After several attempts, I settled on Port and Angostura bitters (Dr. Elmegirab would be good), though I thought the Bristol Cream Sherry was a good runner up. Something sweet of that kind must have been used originally. 

Clearly, this is a very old recipe, as the name, ingredients, and characteristic wording suggest (directions such as “stir up with a spoon” are found mostly in books predating Boothby). It already appears in JM1908. What is of interest here is when, precisely, the recipe was altered by Jack Grohusko. A cursory investigation of the Manuals reveals the answer to be 1910 (the Second Edition), when suddenly “port wine” appears. Was there a sherry shortage? Or did customers think the “sherry wine” of the earlier versions made it too sour or insipid? Straub, at any rate, retains the use of sherry in 1913, and substitutes orange bitters for the maraschino.

309. Ruby Royal

My interpretation:
  1 oz Plymouth Sloe Gin
  1 oz Noilly Prat Dry
  3 dashes homemade raspberry syrup

Shake vigorously with fine ice 20 seconds, strain into cocktail glass, garnish with amarena cherry, serve. — This light dessert Duo, combining a liqueur and a vermouth, first appears in Straub 1913, from which it is borrowed for JM 1916. There are some similarities to some Ruby recipes but not enough to demonstrate firmly an intentional relation or derivation. The final color with good sloe gin is somewhat nearer rust-red than ruby. It is not recommended to use a brightly dyed sloe gin (such as Bols or De Kuyper) since, while it bestows a rubicund hue more reminiscent of the namesake jewel, it generally tastes like saccharine medicine.

301. Robin Cocktail

 My interpretation:
  1.75 oz The Famous Grouse blended Scotch whisky
  0.25 oz cinchona-calisaya liqueur

Fill mixing-glass half-full with ice, stir 20 seconds, strain into cocktail glass, garnish with amarena cherry, serve. — This orange-tinged, slightly bittersweet, Scotch-forward cocktail, perfectly finished by the cherry, first enters the JM canon in 1916, a borrowing from Straub or otherwise inherited from the Old Waldorf tradition. The Old Waldorf Bar Days (1931) renders the drink in equal parts Scotch and calisaya, specifies stirring and straining (hence implying ice), and also features the cherry. The Robber Cocktail in Barflies & Cocktails (1927) is tantalizingly close, a Rob Roy served with a cherry. We may view the Robin as a riff on the Rob Roy replacing both vermouth and bitters with calisaya.

251. Old Fashioned Cocktail

The recipe speaks for itself. 100% liquor suggests 2 oz, though this may be adjusted according to the glass (rather adjust the glass and ice than the liquor, though!). The 1908 garnish is a lemon twist. Generally the instructions continue unchanged, even being imitated by Straub in 1913/1914. Barflies & Cocktails (1927) still shows the later popularity of the squeezed lemon peel, but specifies caster (granulated) sugar in place of cut loaf sugar. Either will do. What won’t do is a syrup instead of sugar. The mixing of the sugar and water in the glass is one defining characteristic of the Old Fashion(ed). The curiosity here is the inclusion of Curaçao, which is unknown elsewhere, neither in Strau, nor in Harry’s book, nor in the Old Waldorf book, the latter of which gives an interesting anecdote (besides specifying a small spoon, like the Junkins):

 Thus the dash of Curaçao must be considered unique to Jack Grohusko, perhaps suggested from an earlier old-fashioned or otherwise “fancy” or “improved” preparation of liquor, for which Curaçao and Maraschino were so often called on to play the augmenting role. Nevertheless, a change in the garnish is not noted until 1933, after Prohibition, when we are suddenly met with the fanciful orange-lemon-cherry garnish. In 1931, however, the Savoy Cocktail Book specifies in addition to the lemon twist a slice of orange. This fits happily with Jack’s unique use of curaçao alongside bitters. The orange-lemon-cherry garnish, and the drink overall, is prophetic of the direction it would take by the middle of the century.

 I include pictures of the four versions mentioned specifically, though obviously others are intimated (e.g., Scotch, Tom gin, Irish whisky, apple brandy).

131. Fairbanks Cocktail

My interpretation:
  1 oz Gin Lane 1751 Lond Dry
  0.5 oz Dolin Dry
  0.5 oz Rothman & Winter Apricot
  1 dash lemon juice
  1 dash Jack Rudy Grenadine

Shake well (30 seconds) with ice, strain into cocktail glass, garnish with cherry (here Amarena). — The first recipe to appear in Jack’s Manual under this name resembled the Evans with a larger portion of Apricot:

After 1916, Jack must have gotten wind that Douglas F. didn’t drink this one, or else he was corrected by the 1930 Savoy Book, whose Fairbanks No. 1 this recipe closely resembles; the Savoy’s gin-based Fairbanks No. 2 does not, however, resemble the old Rye and Apricot one. Straub has the Rye-Apricot-Boker’s recipe and further specifies using an Old Fashioned glass. Pictured here is the later 1933 recipe in the Savoy Cocktail-Book style.

33. Bijou Cocktail

My interpretation:
  1.5 oz Green Chartreuse
  1.25 oz Yzaguirre Rojo
  0.25 oz Hawthorn’s London Dry Gin

Fill mixing-glass 3/4 full with cracked ice, stir well (20 seconds), strain, garnish with cherry and 2 dashes of lemon juice (or, express lemon peel over drink). — I never tried it with an olive; that should be a future post. Also, the language of this gem strikes me as being from an older source.