383. Zaza Cocktail

 My interpretation:
  1 oz Tinkerman’s Sweet Spice Gin
  1 oz Dubonnet Rouge

Fill mixing-glass with ice, stir, strain into cocktail glass, serve. — Named after the play which debuted in 1901, this Martiniesque Duo first appears in the earliest Jack’s Manuals dating back to 1908 and remained part of the repertoire until the last. Straub adds 1 dash of Angostura bitters with no note whether to stir or shake, McElhone, in Barflies & Cocktails (1927) adds pepsin (pepson) bitters and attributes the recipe to a certain F. Newman of Paris, Craddock in The Savoy Cocktail Book (1930) has no bitters but, like McElhone, calls for shaking it, and The Old Waldorf Bar Days (1931), based on an earlier source, has a softer 1:2 ratio of Old Tom gin and Dubonnet stirred with orange bitters stirred. The effect is simple and elegant.

381. Yankee Prince Cocktail

My interpretation:
  1.5 oz Tinkerman’s Sweet Spice Gin
  0.5 oz Grand Marnier
  1 tsp clementine juice

Fill mixing-glass with fine ice, shake 20 seconds, strain into cocktail glass, garnish with freshly cracked filbert or hazelnut. — The hazelnut floats! Of course, if this drink is meant to be served unstrained (as many interpret the typically terse Straubian instruction frappez here, though in other recipes this demonstrably implies straining also), its floatability is irrelevant. This drink, named after the Broadway musical that opened in 1908 at the Knickerbocker theater, appears first in Straub 1913/1914, and from there is taken into JM 1916 without change.
 

380. Yale Cocktail

 My interpretation:
  2 oz Bombay Sapphire London Dry gin
  1 dash Regan’s Orange Bitters 
  1 dash St. George Absinthe Verte
  1 lemon peel

Fill mixing-glass with cracked ice, shake, strain into cocktail glass, twist lemon peel, garnish, serve. — This recipe comes from Straub 1913. Craddock’s version in 1930 has orange bitters, Angostura, lemon peel, and a splash of soda. The Old Waldorf Bar Days, with this note:

calls for Tom Gin and Sweet Vermouth stirred and strained and finished with the seltzer. McElhone in 1927 calls for gin, orange bitters, Angostura bitters, lemon peel, and soda. Which drink best represents the institution in question is unsure.

379. Wonder Cocktail

 My interpretation:
  1.25 oz Bombay Sapphire
  0.75 oz Cocchi Vermouth di Torino
  1 quarter slice pineapple

Fill mixing-glass with broken ice, shake vigorously (frappé), strain into cocktail glass, garnish with fresh pineapple slice — Yet another martini+pineapple combination, it appears first in Straub 1913 in a 2:1 ratio, then in JM1916 with the present 3:2, as usual.

378. Williams Cocktail

My interpretation:
  1.5 oz Tinkerman’s Sweet Spice Gin
  0.5 oz Martini & Rossi Rosso
  1 oz fresh orange juice 

Fill mixing-glass with broken ice, shake, strain into sufficiently sized glass or goblet, serve. — This sort of pre-Bronx Blossom / Harvester first appears in JM1910, where the gin is specified as “dry.” It remains a stable part of the JM tradition despite not being picked up by Straub or other manuals.

375. White Elephant Cocktail

My interpretation:

  1.25 oz Tinkerman’s Sweet Spice Gin

  1 oz Cocchi Vermouth di Torino

  1 egg white

Fill mixing-glass with chipped or broken ice, shake well (about 30 seconds), strain into cocktail glass, serve. — This creamy Sweet Martini + Egg White first appears in Straub 1913 in a 2:1 ratio. When it was taken into JM1916, it was weakened slightly to 3:2. The 2:1 ratio also appears in The Old Waldorf Bar Days (1931), doubtless a belated record of the original source.

371. Webster Cocktail

My interpretation:
  1 oz Plymouth Gin
  0.5 oz Martini & Rossi Extra Dry
  0.25 oz Rothman & Winter Orchard Apricot
  0.25 oz fresh lime juice

Shake well (30 seconds suffices to achieve good consistency, strain into cocktail glass, serve. —  The first thing to notice about this delicious Martini riff augmented by discreet portions of Apricot and lime, is that the math is all wrong. Jack may have meant percentages of 2 oz (a grown man’s drink), making this a larger drink than usual (i.e., 2.6 oz + dilution). However, I think it quite instructive to refer to the Savoy Cocktail Book (1930) here, the putative source, which calls for the proportion outlined above in my interpretation. This leads us to conclude that there is here a typo in the second line, and that apricot brandy should read 20%, not 50%. Of course, in type the characters are approximately mirrored along a horizontal axis. That would put us at 2 oz plus about 1 tsp., well within cocktail glass capacity of the time after dilution.

369. Watkins Cocktail

My interpretation:
  1 oz Tinkerman’s Gin (Sweet Spice)
  0.5 oz Cocchi Vermouth di Torino
  0.5 oz Martini & Rossi Extra Dry
  1 slice pineapple in mixing-glass
  1 slice orange in mixing-glass

Fill mixing-glass with cracked ice, shake, strain, serve. — This fruit-laced Perfect Martini recipe, first appearing in JM1912 bears a close resemblance to the later Straub’s Waldorf Queen[’s] (see above) added in 1916—which might stand out more if the Old Waldorf Bar Days recipe for the Waldorf Bronx (2:1 gin to orange juice, with 2 pineapple slices) had been followed.

364. Waldorf Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  1 oz Kronan Swedish punsch
  1 tsp lemon juice
  1 tsp lime juice

Fill mixing-glass with ice, shake well (30-40 seconds), strain into cocktail glass, serve. —This Gin-Swedish Punsch Sour is one of several Waldorf cocktails preserved by Grohusko in JM 1916 and 1933 after Straub’s inclusion of them in 1913/1914. The same recipe appears in the Savoy Cocktail Book (1930). Curiously it does not appear in the Old Waldorf Bar Book (at least in the cocktail section).

363. Virgin Cocktail

My interpretation:
  1 oz Plymouth Gin
  1 oz Martini & Rossi sweet vermouth
  3 dashes Angostura bitters
  2 dashes homemade raspberry syrup

Fill mixing-glass half full of ice, stir well (30 seconds), strain into cocktail glass, serve. — This martini + raspberry and angostura first appears in JM 1908 specifying Plymouth gin. The specification falls away by 1933. A different recipe by the same name appears in Barflies & Cocktails (1927) calling for Forbidden Fruit liqueur, creme de menthe, and gin, which is also in the Savoy Cocktail Book (1930). This book has also has a Virgin Special, a large-format drink with raspberry, gooseberry, redcurrant, brandy, gin, and fruit.

360. Van Zandt Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  1 oz Martini & Rossi extra dry vermouth
  1 dash Rothman & Winter apricot liqueur

Fill mixing-glass with ice, shake, strain into cocktail glass, serve. — This martini + apricot first appears in JM 1908 as a shaken drink, but is reproduced in Straub as a stirred one. Apparently a man named Van Zandt ordered them frequently enough to get them included in Grohusko’s repertoire. It is absent from other cocktail books.
  

359. Van Wyck Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  1 oz Plymouth Sloe Gin
  2 dashes Regan’s Orange Bitters

Shake well with ice, strain into cocktail glass, serve. — This frothy yin-yang Duo of strong and syrupy hanging in dubious balance, strapped together with a cord of faint but deep orange bitters, first appears in Straub 1913 with “dry gin.” In JM 1916 it becomes the second of three “Vans” in the cocktail section of Grohusko’s, also specifying dry gin. This agreement suggests the Waldorf Bar as the common source, which is tentatively confirmed by reference to the Old Waldorf Bar Book (1931), where the drink appears with Old Tom gin and sloe gin in a 2:1 ratio, with the orange bitters, stirred, with “fruit in glass.” It was apparently to be drunk in the Van Wyck tunnel.

357. Union League Cocktail

My interpretation:
  1.25 oz Gin Lane 1751 Old Tom
  0.75 oz Offley Tawny Port
  1 dash Fee Brothers Orange Bitters

Fill mixing-glass half full with ice, stir well (about 30 seconds), strain into cocktail glass, serve. — The Union League comes to JM1916 from Straub 1913/1914, where it has the slightly stronger ratio of 2:1 rather than 3:2. It is named for one of the famous conservative clubs, perhaps that in New York on Union Square, which has since moved; though since this recipe is found first in Straub, who spent time in Chicago, that Union Club may be the originator. Its similarity to Kappeler’s Princeton Cocktail is notable (Jack’s is a Gin Cocktail topped with Seltzer), except that he layers in the port neatly instead of stirring it in. The Union League is all but forgotten as such (a brand new, impostor “Union League” with whisky and orange juice is now being promoted), with the Princeton slightly more common. The most famous Gin+Port drink at present seems to be the more citrusy Crimson.

 

354. Tuxedo Cocktail

My interpretation:
  1.5 oz Gin Lane 1751 Old Tom Gin
  1.5 oz Dolin Dry Vermouth
  3 dashes Angostura bitters
  1 dash Luxardo maraschino
  1 dash St. George absinthe verte

Fill mixing-glass half full with ice, stir well (about 30 seconds), strain into cocktail glass, add cherry (here Amarena), serve. —This heavy-hitter classic cocktail from the Tuxedo Club, NY, is offered by Grohusko in a redder, more heavily bittered incarnation. Straub 1913 sees Jack and raises him a barspoon of sherry wine (authentic secret or misguided allusion to the Tussetto? See previous post). McElhone garnishes this with a lemon twist. Craddock (in the No. 2 by this name) has cherry and expressed lemon peel, but the drink is shaken. For further information, see Difford’s detailed post.
 

351. Turf Club Cocktail

My interpretation:
  1 oz Bols Genever
  1 oz Martini & Rossi Vermouth Rosso

Fill mixing-glass half full with ice, stir well, strain into cocktail glass, serve. — This sweet Martini riff calls simply for “gin” here, which in Jack’s Manual should be a clue that a non-dry gin is meant, usually Holland or Old Tom. In JM 1912, the first JM appearance, the Holland gin is called for. The analogous recipe in Straub 1913 (called “Turf Cocktail No. 2” and adding bitters), has a malty, bread-like quality which is offset nicely by the vermouth and distinguishes the drink from the standard sweet Martini. Straub’s version with the bitters shows up again in The Old Waldorf Bar Days (1931), as he probably got it from the Old Waldorf bar. Depending on the vermouth, bitters could improve the drink; with a vermouth like Cocchi it might overdo it.
 

349. Tulane Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  1 tsp strawberry syrup

Fill shaker with fine ice, shake, strain into cocktail glass, serve. — This Dry Martini with a strawberry twist first appears in Straub 1914. Since I had strawberry syrup made recently, I used that instead of strawberry brandy. The difference is probably minimal at such a small quantity.

346. Trilby Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  1 dash Regan’s Orange Bitters
  1 dash Angostura aromatic bitters
  2 barspoons Rothman & Winter crème de violette

Fill mixing-glass half full with ice, stir well (20-30 seconds), strain into cocktail glass, add cherry, add crème de violette carefully so that it settles in a clear layer at the bottom of the glass. — Of all the recipes going by the name Trilby, this one may be the most perplexing, due to the fact that the specific gravity of the concoction is not high enough to support a crème of any kind on its surface. This cannot be traced back further than JM1916. Straub 1913 has the recipe but calls only for a 1/6 jigger of Crème Yvette and does not specify floating or layering of any kind. He also uses Old Tom gin (that is usually the source of Grohusko’s generic term “gin,” and indeed it is supported by earlier editions calling for Tom gin). McElhone’s 1927 recipe replaces the Old Tom gin with scotch and the
Crème Yvette with Parfait d’Amour. The Old Waldorf Bar Days (1931) keeps (or rather, is the source of) Grohusko’s recipe, without specifying float or layering of the Crème Yvette, thus confirming the propriety of laying the blame at the feet of Grohusko (or whoever was his direct source).

345. Treasurer Cocktail

My interpretation:
  1.5 oz Castle & Key London Dry Gin
  0.5 oz Noilly Prat Extra Dry Gin
  1 slice orange (for mixing)

Fill mixing-glass with broken ice, stir, strain, garnish with orange twist, serve. — This strong dry martini with an orange twist appears in Straub 1913 by the slightly different name Treasury, with an orange slice instead of twist, to be shaken (frappéed) with the other ingredients. I have included the orange component on both ends for the added distinction from other similar recipes.

 

343. Taxi Cocktail

My interpretation:

  1 oz Castle & Key dry gin

  1 oz Dolin Dry

  2 tsp lime juice

  2 tsp St. George absinthe verte

Fill shaker with fine ice, frappé / shake vigorously 40-50 strokes, strain into cocktail glass, serve. — This cold dry martini with lime and absinthe comes from Straub 1913 and finds its way thence into JM1916, which changes barspoons to teaspoons but keeps everything else the same.

342. Tango Cocktail

My interpretation:

  1.25 oz Castle & Key Gin

  0.75 oz Vermut Lustau

  1/2 tsp Copper & Kings brandy

Fill shaker with ice, shake about 40 strokes, serve. — This recipe comes from Straub 1914 (not in 1913 ed.) where the brandy is specified to be Apricot Brandy. That specifier is unapologetically omitted in JM1916. McElhone in 1927 uses the name Tango for a combination of Plymouth gin, sweet vermouth, orange juice, and curaçao, finished with an orange twist. The Savoy (1930) follows suit, omitting the twist. The Old Waldorf Bar Days (1931) has two Tangos: 1 is a dry martini with egg white, shaken; 2 calls for dry and sweet vermouth, rum, gin, and orange juice frappé, essentially a variant on the McElhone recipe.