355. Two-Spot Cocktail

My interpretation:
  1 oz Pierre Ferrand Dry Curaçao (uncolored)
  1 oz Martell VS Cognac

Fill shaker with ice, shake, strain into cocktail glass, twist lemon peel, garnish, serve. — This Straub 1913 Duo with the unusual call for Curaçao Brun (not readily available here) has been modified in my preparation by the use of a Curaçao which necessarily presents a different flavor profile as well as color. In any event, the drink appears to be a local phenomenon in Straub and Grohusko which did not afterward gain traction.
 

339. Strawberry Cocktail

My interpretation:
  1.5 oz Martell Cognac VS
  0.5 oz homemade strawberry syrup
  1 dash Luxardo maraschino
  2 dashes Regan’s orange bitters

Fill mixing-glass with ice, shake, strain into cocktail glass, serve. — This fruity, “improved” strawberry and brandy dessert duo is first found in Straub 1913 and is borrowed for JM1916. The Savoy Cocktail Book (1930) features a large-format (6 serving) drink made with strawberries, orange juice, whisky, and ice. Closer is the Old Waldorf Bar Days (1931) recipe, which only differs by reduction of orange bitters by 1 dash.

 

338. Story Cocktail

My interpretation:
  1 oz Martell Cognac VS
  1 oz Gammel Dansk Bitter Dram

Frappé (shake vigorously 30 seconds with shaker full of crushed ice, or else use two cups full of fine ice, and turn the mixture back and forth between the cups until very chilled), strain into cocktail glass, serve. — Boonekamp bitters are the licorice-forward kind, of which the flagship brand is recognized as Underberg’s. Gammel Dansk, a newer bitter, is more punchy, perhaps, but has some similar qualities. In any event, this post-prandial duo goes back to the first edition, JM1908. It was also picked up by Straub in 1913.

327. Slome Cocktail

My interpretation:
  0.75 oz Old Forester Signature / 100 pf
  0.75 oz Martell VS
  0.66 oz Dubonnet Rouge

Fill shaker half-full with fine ice, frappé / shake vigorously 20 seconds, strain into cocktail glass, serve. — This fine Bourbon-Brandy Manhattan riff (with Dubonnet doing double-duty for vermouth and bitters) first surfaces in Straub 1913. The formula yields a nice foam that lingers for a couple minutes if undisturbed, or pleasantly tickles the lip of the anxious imbiber. One wonders if the name is a corruption of Salome, and if it was thus another cocktail in commemoration of that erstwhile famous play / operetta (though nothing in the recipe suggests the exoticism met by the other recipe with its celery leaves).