371. Webster Cocktail

My interpretation:
  1 oz Plymouth Gin
  0.5 oz Martini & Rossi Extra Dry
  0.25 oz Rothman & Winter Orchard Apricot
  0.25 oz fresh lime juice

Shake well (30 seconds suffices to achieve good consistency, strain into cocktail glass, serve. —  The first thing to notice about this delicious Martini riff augmented by discreet portions of Apricot and lime, is that the math is all wrong. Jack may have meant percentages of 2 oz (a grown man’s drink), making this a larger drink than usual (i.e., 2.6 oz + dilution). However, I think it quite instructive to refer to the Savoy Cocktail Book (1930) here, the putative source, which calls for the proportion outlined above in my interpretation. This leads us to conclude that there is here a typo in the second line, and that apricot brandy should read 20%, not 50%. Of course, in type the characters are approximately mirrored along a horizontal axis. That would put us at 2 oz plus about 1 tsp., well within cocktail glass capacity of the time after dilution.

355. Two-Spot Cocktail

My interpretation:
  1 oz Pierre Ferrand Dry Curaçao (uncolored)
  1 oz Martell VS Cognac

Fill shaker with ice, shake, strain into cocktail glass, twist lemon peel, garnish, serve. — This Straub 1913 Duo with the unusual call for Curaçao Brun (not readily available here) has been modified in my preparation by the use of a Curaçao which necessarily presents a different flavor profile as well as color. In any event, the drink appears to be a local phenomenon in Straub and Grohusko which did not afterward gain traction.
 

326. Sloe Gin Cocktail

My interpretation:
  1.5 oz Plymouth Sloe Gin
  0.5 oz Noilly Prat & Co. Rouge

Fill mixing-glass with ice, stir, strain into cocktail glass, serve. — This simple Duo that leans on the sloe gin and seemingly attempts to balance this with a smaller dose of sweet vermouth, first appears in JM1908. It is a simple aperitif for those who like sloe gin. Two other Sloe Gin Cocktails of note are Craddock’s and Crockett’s in the Savoy Cocktail Book and the Old Waldorf Bar Days respectively. The former turns Jack’s recipe into a Perfect by addition of dry vermouth, the latter reformulates it as 2:1 Sloe Gin and Plymouth Gin with orange bitters. This resembles Craddock’s Sloeberry cocktail, which adds Angostura and orange bitters to a glass of Sloe Gin.
 

325. Sir Walter Cocktail

My interpretation:
  1 oz Bacardì silver (Appleton Estate)
  1 oz Christian Brothers Sacred Bond (Copper & Kings Brandy)
  1 tsp fresh lemon juice
  1 tsp Pratt Standard grenadine (Jack Rudy grenadine)
  1 tsp Pierre Ferrand dry curaçao

Shake 30 seconds with ice, strain into cocktail glass, serve. — I tried this twice, once with white rum, once with Jamaican. Both were good, as may be expected from sweet-leaning a dual-liquor proto-tiki drink with a tart tinge. The peculiar wording betrays the quasi-punch recipe as a direct borrowing from McElhone’s Barflies & Cocktails (1927). It is also found in the Savoy Cocktail Book (1933) with a similar recipe.
 

323. Sidecar Cocktail

My interpretation:
  1 oz Copper & Kings brandy
  1 oz Cointreau
  3/4 T lime juice

In shaker with ice, add ingredients including half lime, shake well (30 seconds), strain into cocktail glass, serve. — This recipe from McElhone’s Barflies & Cocktails (1927) proved so popular, it had to be included in JM1933. There the recipe calls for equal thirds of cointreau (triple sec), cognac, and lemon juice, and is attributed to MacGarry of Buck’s Club, London. The Savoy (1930) Sidecar has twice the brandy but still lemon.
 

321. Sherry Cocktail

My interpretation:
  2 oz Lustau Amontillado Los Arcos
  2 dashes Fee Brothers Cardamom Bitters
  1 dash Luxardo maraschino

Stir with ice, strain into cocktail glass, squeeze lemon peel, garnish with cherry (and lemon). — Obviously I have departed from Jack’s recipe on the supposition that a Sherry Cocktail ought properly to have sherry, not port. Port would have improved this cocktail (as would a superior bitters). After several attempts, I settled on Port and Angostura bitters (Dr. Elmegirab would be good), though I thought the Bristol Cream Sherry was a good runner up. Something sweet of that kind must have been used originally. 

Clearly, this is a very old recipe, as the name, ingredients, and characteristic wording suggest (directions such as “stir up with a spoon” are found mostly in books predating Boothby). It already appears in JM1908. What is of interest here is when, precisely, the recipe was altered by Jack Grohusko. A cursory investigation of the Manuals reveals the answer to be 1910 (the Second Edition), when suddenly “port wine” appears. Was there a sherry shortage? Or did customers think the “sherry wine” of the earlier versions made it too sour or insipid? Straub, at any rate, retains the use of sherry in 1913, and substitutes orange bitters for the maraschino.

317. Scheuer Cocktail

 My interpretation:
  1 oz Vermut Lustau
  1 oz Dubonnet Rouge

Fill mixing-glass with cracked ice, stir, strain into cocktail glass, serve. — This simple, light, vermouthy Duo appetizer goes back to JM1908 and continues unchanged. In 1913, Straub includes the recipe (perhaps they both may be traced to the same source) with the probably wise addition of 1 dash Angostura Bitters, but the dash of Bitters is not incorporated by Grohusko in 1916 or 1933.

316. Savoy Tango Cocktail

My interpretation:
  1 oz Plymouth Gin
  1 oz Laird’s Applejack 

Shake 20 seconds, strain into cocktail glass, serve. — This boozy Duo recipe (of course it takes two to “tango”), originally from the Savoy Cocktail Book (1930) is first borrowed for JM1933, but with the unfortunate typo which turns the original sloe gin into an unspecified kind of gin and makes a less palatable drink (esp. if you only have Applejack instead of the Bonded Apple Brandy), which is why we cannot suppose the alteration from sloe gin to gin to be purposeful (usually in JM1933, “gin” represents an older Tom gin, while dry gin and plymouth gin are specified by name).
 

The original Savoy cocktail is less boozy and more balanced:
 

304. Rolls-Royce Cocktail

My interpretation:
  1 oz Castle & Key Dry Gin
  0.5 oz Dolin Dry
  0.5 oz Vermut Lustau
  1 dash DOM Benedictine

Fill shaker half-full with cracked ice, shake 20-30 seconds, strain into cocktail glass, serve. — This Perfect Martini with Benedictine is found in the Savoy Cocktail Book (1930) and was found popular or worthy enough to be included in JM 1933.

290. Quaker's Cocktail

My interpretation:
  1.25 oz Copper & Kings Brandy
  0.5 oz Myers’s Rum
  0.25 oz homemade raspberry syrup
  1 T or 0.25 oz lemon juice

Shake well, strain into cocktail glass, serve. — This balanced Rum Daisy-inspired concoction first appears in Barflies (1927) and Savoy (1930) books with equal portions of the Rum and Brandy, from which it is probably borrowed and adjusted for JM 1933.
  

288. Princeton Cocktail

 

My interpretation:
  1.75 oz Castle & Key Gin
  2 dashes Angostura Bitters
  0.25 oz carbonated water


Stir gin and bitters with ice, strain into cocktail glass, add cold carbonated water, twist lemon peel, garnish, and serve. — One of several cocktails named for colleges of the Ivy League, this version, first appearing in Straub 1913, has proved the more prosaic and less popular than the other Princeton, which layers port and Old Tom gin and orange bitters (this is found in Barflies & Cocktails, 1927 and Savoy, 1930). At least the light fizz of the soda on top produces something a little more interesting than the Gin Cocktail. Old Waldorf Bar Days, the putative originator of the drink, and at least flagship of the New York / American school of early 20th c. mixology, has the present Gin-and-Soda thing, specifying Old Tom Gin, which seems to commend itself to this simple recipe, and also be supported by the generic term “gin” here, which in the JM tradition more often than not means the older standard Old Tom (or Ancient Thomas).
 

265. Parisian Blonde Cocktail

My interpretation:
  1 oz Myers’s Rum
  0.66 oz Pierre Ferrand Dry Curaçao
  0.33 oz light cream

Shake 20-30 seconds with broken ice, strain into cocktail glass, serve. — This creamy, orangey dessert Trio, which resembles a Panama Cocktail with substitution of curaçao for cacao, first appears in the Savoy Cocktail Book (1930), from thence being taken into JM 1933.

262. Panama Cocktail

My interpretation:
  0.75 oz Copper & Kings Brandy
  0.75 oz Hiram Walker Creme de cacao
  0.33 oz light cream

Shake well (25 seconds), strain into chilled cocktail glass, serve. — This drink, which amounts to a Brandy Alexander (as it is today commonly named), appears in the Savoy Cocktail Book in equal parts. Here the cream is reduced to accent the alcohol and bring the parts in better alignment. Adjustments of the recipe in books of the 30s and 40s tended to increased the brandy to about 3 parts to 1 part each of cream and cacao.

261. Palmetto Cocktail

My interpretation:
  1 oz Appleton Estate
  1 oz Casa Mariol Vermut
  3 dashes Angostura bitters

Add ice to fill mixing-glass half way, stir well (20 seconds), strain into cocktail glass, serve. — This Rum Manhattan riff first appears in JM 1908 and continues unchanged until 1933. It also appears in other New York books with small variation. In 1913, Straub picks up the recipe, substituting Dry Vermouth for Sweet and frappéing for stirring. The Savoy Cocktail Book (1930) has sweet vermouth, but calls for 2 dashes of orange bitters and shaking. The Old Waldorf Bar Book (1931) based on the older bar manual, specifies 1 dash of orange bitters and stirring.

253. Olympic Cocktail

My interpretation:
  1 oz Copper & King’s Brandy
  1 oz Pierre Ferrand Dry Curaçao
  2 T (1 oz) fresh orange juice

Fill mixing-glass half full of cracked ice. Shake well (20 seconds), strain into cocktail glass. — This Brandy-based brunch tipple, a sort of punch or blossom, is a late addition to Jack’s repertoire, first found in Barflies & Cocktails (1927) in a ratio of equal thirds, where it is attributed to Hoffman House alumn Frank Meier who ran the bar at the Ritz, Paris. Thus it is probably named for the Summer Olympic Games held in Paris in 1924. The equal proportion recipe also shows up in The Savoy Cocktail Book (1930). It is probable that the same recipe is meant here, with the whole orange yielding about 1 oz of juice.
 

224. Marguerite Cocktail

My interpretation:
  1 oz Plymouth Gin
  1 oz Noilly Prat Extra Dry Vermouth
  2 dashes Regan’s Orange Bitters
  1 dash St. George Absinthe Verte

Fill mixing-glass with cracked ice, stir, strain into cocktail glass, add regular olive (not stuffed), serve. — This old Martini riff, one of the recipes that helped shape the modern concept of the Martini, is part of the JM tradition going back to 1908. Whence it came before that is unclear, though the unique language in the instructions (“stir up well with spoon”) points to an earlier source outside of JM. In 1908, it specifies Field’s Orange Bitters and Chappaz dry vermouth. Later, Straub 1913 includes the recipe, olive omitted, making it essentially a Dry Martini (he also omits the Plymouth specification).
 

215. Luigi Cocktail

My interpretation:
  0.75 oz Bluecoat American Dry Gin
  0.75 oz Noilly Prat Extra Dry Vermouth
  0.5 oz fresh tangerine juice
  1 tsp Jack Rudy grenadine
  1 dash Cointreau

Shake well (30 seconds), strain into cocktail glass, serve. — The recipe, attributed to Italian-Briton Luigi Naintre, erstwhile proprietor of the Embassy Club, London, is taken up without change in  JM1933 from the Savoy Cocktail Book (1930).

214. Lone Tree Cocktail

My interpretation:
  1 oz Bluecoat Gin
  0.5 oz Noilly Prat Extra Dry
  0.5 oz Alessio Vermouth Chinato

Fill mixing-glass with ice, shake, strain into cocktail glass, serve. — This perfect Martini riff is shaken instead of stirred, and found in several books. The first JM to feature it is the Third Edition (1912 or 1910s) where it is misspelled “Lond Tree.” This recipe is reflected in the Savoy Cocktail Book (1930) in a “thirds” ratio, with the addition of Orange Bitters, while McElhone (1927) calls for simply squeezing the orange peel in the shaker. These niceties might have been missed by Jack and anyone else peeking at the old Waldorf bar manual. A variant recipe in Straub (1913) and the Waldorf Bar Book (1935) indicates equal portions of Old Tom Gin and Sweet Vermouth with a dash of Orange Bitters. The latter publication traces the origin to drink enjoyed at the Old Waldorf by golfers playing at a certain course outside Philadelphia.

213. London Cocktail

My interpretation:
  2 oz Captive Spirits Big Gin
  2 dashes Regan’s Orange Bitters
  2 dashes gum syrup
  2 dashes Hiram Walker Anisette

Shake well (30 seconds), strain into cocktail glass, serve. — This recipe follows almost exactly the 1930 Savoy Cocktail Book, except for the Anisette in place of original Absinthe. Since Jack retains absinthe in other recipes, this is a curious change, though we know from experience that he generally makes his drinks a little weaker, and this may be for that purpose.

193. Jersey Cocktail

My interpretation:
  1 oz Daron Calvados or Laird’s Bonded Apple Brandy
  1 oz Casa Mariol Vermut Negra
  1 dash Angostura bitters

Mix with ice, strain, garnish with lemon twist, serve. — The omission of ice in this 1908 recipe is curious, since the use of ice certainly improves the drink. However, the use of Laird’s Bonded Apple Brandy (not Applejack) really provides the proper fruity element for either chilled or unchilled preparation, and is especially appropriate in view of the name, since Jersey always originally referred to Laird’s, which began in Monmouth County, New Jersey. Straub 1913 substitutes 2 dashes of syrup for the jigger of Vermouth.