321. Sherry Cocktail

My interpretation:
  2 oz Lustau Amontillado Los Arcos
  2 dashes Fee Brothers Cardamom Bitters
  1 dash Luxardo maraschino

Stir with ice, strain into cocktail glass, squeeze lemon peel, garnish with cherry (and lemon). — Obviously I have departed from Jack’s recipe on the supposition that a Sherry Cocktail ought properly to have sherry, not port. Port would have improved this cocktail (as would a superior bitters). After several attempts, I settled on Port and Angostura bitters (Dr. Elmegirab would be good), though I thought the Bristol Cream Sherry was a good runner up. Something sweet of that kind must have been used originally. 

Clearly, this is a very old recipe, as the name, ingredients, and characteristic wording suggest (directions such as “stir up with a spoon” are found mostly in books predating Boothby). It already appears in JM1908. What is of interest here is when, precisely, the recipe was altered by Jack Grohusko. A cursory investigation of the Manuals reveals the answer to be 1910 (the Second Edition), when suddenly “port wine” appears. Was there a sherry shortage? Or did customers think the “sherry wine” of the earlier versions made it too sour or insipid? Straub, at any rate, retains the use of sherry in 1913, and substitutes orange bitters for the maraschino.

314. Salome Cocktail

My interpretation:
  1 oz Beefeater London Dry Gin
  0.5 oz Noilly Prat Rouge
  0.5 oz Noilly Prat Dry
  2 dashes Fee Brothers Orange Bitters
  3 celery leaves

Shake vigorously with fine ice until shaker is covered with ice (about 30-40 seconds), strain into cocktail glass, garnish with celery leaf, serve. — This recipe, a Perfect Martini with an exotic, savory celery tinge, comes to JM1916 from Straub. In the Old Waldorf Bar Days (1931) which represents the root of the same tradition, a drink by the same name follows the St. Peter, but is a completely different drink consisting of Sweet Vermouth, Dubonnet, and absinthe; The Savoy (1930) had a probably related mixture of Sweet Vermouth, Dry Gin, and Dubonnet. The root of any drink in those days bearing this name is surely the book by Oscar Wilde, and perhaps more so, the infamous opera by Richard Strauss, written in 1905 with a US premiere in 1907.

312. St. John Cocktail

My interpretation:

  1 oz Gin Lane 1751 Old Tom Gin

  1 oz Casa Mariol Vermut Negra

  1 dash Fee Brothers Orange Bitters

Stir with ice, strain into cocktail glass, serve. — The second of the three “saints” from the analogous section of Straub, this slightly sweeter Martini varies depending on the Martini recipe referred to. In Straub, it’s a 2:1 sweet vermouth Martini. Grohusko’s Martini is, as typical, adjusted to 1:1, favoring a cheaper mixture (or less-inebriated customer!).

 

248. Nutting Cocktail

My Interpretation:
  1.25 oz Beefeater London Dry Gin
  0.75 oz Dolin Dry Vermouth
  1 dash Angostura bitters
  1 dash Fee Brothers orange bitters

Shake with ice, strain into cocktail glass, serve. — This Martini riff calling lavishly for two bitters, is first found with this name in Straub 1913, borrowed in 1916, when the 2:1 ratio became 3:2. In 1933, “dry gin” was changed to “gin” either accidentally or without effect (a vague term in 1916 and 1933).

182. Improved Martini Cocktail

My interpretation:
  1 oz Captive Spirits Big Gin
  1 oz Alessio Chinato
  1 dash Fee Bros. Orange Bitters
  1 dash Luxardo Maraschino

Fill glass (12 oz) with cracked ice, stir, strain into cocktail glass, serve. — Like the previous Improved Manhattan, this recipe calls for the simple addition of 1 dash Luxardo Maraschino to the regular recipe (to come). It first appears in JM 1908 and is taken up by Straub 1913 with an extra dash maraschino.