370. Waxen Cocktail

My interpretation:
  0.5 oz Gine Lane 1751 Old Tom Gin
  0.5 oz Cocchi Vermouth
  0.5 oz Laird’s Bonded Apple Brandy
  0.5 oz Yellow Chartreuse

Fill mixing-glass with ice, stir, strain into cocktail glass, serve. — This recipe first appears in Straub 1913 and is borrowed from thence for JM1916. The same recipe is found in McElhone’s Barflies . . . under the name “Warday’s” with the notable and in fact sensible reduction of chartreuse to 1 tsp., leaving the rest in equal thirds (about 0.75 oz each). That recipe and name are reproduced exactly in The Savoy (1930). While the Warday’s Cocktail is rightly deserving some attention today, it is well to note that Straub and Grohusko did it first, sort of, and to give credit where due. They may be independent creations, but I find it unlikely, given their proximity in the alphabet. The Waxen is also getting attention here and there.

369. Watkins Cocktail

My interpretation:
  1 oz Tinkerman’s Gin (Sweet Spice)
  0.5 oz Cocchi Vermouth di Torino
  0.5 oz Martini & Rossi Extra Dry
  1 slice pineapple in mixing-glass
  1 slice orange in mixing-glass

Fill mixing-glass with cracked ice, shake, strain, serve. — This fruit-laced Perfect Martini recipe, first appearing in JM1912 bears a close resemblance to the later Straub’s Waldorf Queen[’s] (see above) added in 1916—which might stand out more if the Old Waldorf Bar Days recipe for the Waldorf Bronx (2:1 gin to orange juice, with 2 pineapple slices) had been followed.

368. Washington Cocktail

My interpretation:
  1.75 oz Noilly Prat Extra Dry
  0.25 oz Copper & Kings Brandy
  1 dash Pierre Ferrand Dry Curaçao
  1 dash Angostura bitters

Fill mixing-glass with broken ice, stir, strain into cocktail glass, serve. — This light, vermouth-forward aperitif recipe first appears in JM1912 and remains a standard part of the JM repertoire. It later appears from an undetermined source in McElhone’s Barflies & Cocktails (1927) in the ratio 2:1 vermouth to brandy, with 2 dashes of syrup instead of curacao, and 2 dashes of bitters. That recipe is reproduced exactly in
The Savoy Cocktail Book (1930).
 

367. Ward Eight Cocktail.

My interpretation:
   1.5 oz Bulleit Rye
   1 tsp Jack Rudy Grenadine
   2 T orange juice
   1 T lemon juice

Shake well (30 seconds), strain into cocktail glass, serve. — This venerable (ca. 1898) Bostonian, spirit-forward take on a Whisky Sour with grenadine appears in no previous edition of Jack’s Manual. It appears, e.g., in Cocktails and How to Mix Them (1922) by “Robert of the Embassy Club.” The Mr. Boston Bartender Guide was, of course, not printed until 1935.

366. Waldorf Queen Cocktail

My interpretation:
  1 oz Tinkerman’s Gin (Sweet Spice)
  0.5 oz Martini & Rossi Rosso
  0.5 Dolin Dry
  1 quarter orange
  2 quarter-slices pineapple

Muddle pineapple in shaker, add ingredients and fine ice, rappé well (shake vigorously 30 till nicely frosted), strain into cocktail glass, serve. — In 1913, Jacques Straub, ever the entrepeneur of all things Waldorf, includes this Bronx variant under the name Waldorf Queen’s. JM1916 picks up with slight variation, dropping the possessive marker (and thus any connection to a New York borough name, a là Bronx). The same drink proved popular and was included in books like McElhone’s 1927 Barflies & Cocktails (under the simplified name Waldorf). The Old Waldorf Bar Days (1931), which usually holds the best claim, calls it the Waldorf Bronx and makes it much simpler than a Bronx, with only gin, orange juice, and pineapple slices:

Here is my version of Jack’s recipe.

365. Waldorf Special Cocktail.

 My interpretation:
  2 oz Rothman & Winter Orchard Apricot
  1 T lime juice

Shake well (30 seconds), strain into cocktail glass, serve. — This recipe, if it may be called that (better, an apricot liqueur treatment neatly balanced with a little lime), which makes a nice post-prandial, is first described in Straub 1913 (specifying “apricotine”) before appearing in JM 1916. It does not appear in the Old Waldorf Bar Days book—which doesn’t mean, of course, that it was not served or invented there. When combined with a dry martini, it becomes a Webster (q.v.)

364. Waldorf Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  1 oz Kronan Swedish punsch
  1 tsp lemon juice
  1 tsp lime juice

Fill mixing-glass with ice, shake well (30-40 seconds), strain into cocktail glass, serve. —This Gin-Swedish Punsch Sour is one of several Waldorf cocktails preserved by Grohusko in JM 1916 and 1933 after Straub’s inclusion of them in 1913/1914. The same recipe appears in the Savoy Cocktail Book (1930). Curiously it does not appear in the Old Waldorf Bar Book (at least in the cocktail section).

363. Virgin Cocktail

My interpretation:
  1 oz Plymouth Gin
  1 oz Martini & Rossi sweet vermouth
  3 dashes Angostura bitters
  2 dashes homemade raspberry syrup

Fill mixing-glass half full of ice, stir well (30 seconds), strain into cocktail glass, serve. — This martini + raspberry and angostura first appears in JM 1908 specifying Plymouth gin. The specification falls away by 1933. A different recipe by the same name appears in Barflies & Cocktails (1927) calling for Forbidden Fruit liqueur, creme de menthe, and gin, which is also in the Savoy Cocktail Book (1930). This book has also has a Virgin Special, a large-format drink with raspberry, gooseberry, redcurrant, brandy, gin, and fruit.

362. Vienna Cocktail

My interpretation:
  1 oz Martini & Rossi Rosso (sweet vermouth)
  1 oz Noilly Prat extra dry vermouth
  1 dash St. George absinthe verte

Fill mixing-glass with fine ice, frappé (shake vigorously), strain into cocktail glass, serve. — This vermouth x2 duo + absinthe first appears in Straub 1913. A light drink that can be enjoyed anytime, it can easily be imagined being deposited on a small café table in Vienna, Austria or Vienna, Virginia.

361. Vermouth Cocktail

2 oz Martini & Rossi sweet vermouth
1 dash Fee Brother’s cardamom bitters
1 dash Luxardo maraschino

Fill mixing-glass with fine ice, frappé (shake well), strain into cocktail, serve. — This recipe appears in JM 1908 following the Vermouth Frappé, the distinction apparently confined to the addition here of maraschino. Boker’s bitters is best replicated by Dr. Elmegirab’s Boker’s bitters, but any aromatic bitters will do adequately here if the vermouth has a harmonious character. The Savoy Cocktail Book (1930) gives the option sweet or dry vermouth, and of 4 dashes orange bitters or 1 dash Angostura, but no maraschino; the drink is stirred rather than shaken. The Old Waldorf Bar Book (1931) lists the French and Italian Vermouth Cocktails separately, calling for one dash of orange bitters for each.

360. Van Zandt Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  1 oz Martini & Rossi extra dry vermouth
  1 dash Rothman & Winter apricot liqueur

Fill mixing-glass with ice, shake, strain into cocktail glass, serve. — This martini + apricot first appears in JM 1908 as a shaken drink, but is reproduced in Straub as a stirred one. Apparently a man named Van Zandt ordered them frequently enough to get them included in Grohusko’s repertoire. It is absent from other cocktail books.
  

359. Van Wyck Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  1 oz Plymouth Sloe Gin
  2 dashes Regan’s Orange Bitters

Shake well with ice, strain into cocktail glass, serve. — This frothy yin-yang Duo of strong and syrupy hanging in dubious balance, strapped together with a cord of faint but deep orange bitters, first appears in Straub 1913 with “dry gin.” In JM 1916 it becomes the second of three “Vans” in the cocktail section of Grohusko’s, also specifying dry gin. This agreement suggests the Waldorf Bar as the common source, which is tentatively confirmed by reference to the Old Waldorf Bar Book (1931), where the drink appears with Old Tom gin and sloe gin in a 2:1 ratio, with the orange bitters, stirred, with “fruit in glass.” It was apparently to be drunk in the Van Wyck tunnel.

358. Van Lee Cocktail

My interpretation:
  1 oz Castle & Key London dry gin
  0.75 oz Dubonnet Rouge
  0.25 oz The Famous Grouse scotch whisky

Fill mixing-glass with broken ice, stir, strain into a cocktail glass, serve. — This variant on an Apéritif Cocktail (be it Byrrh, Saint Raphael, or Dubonnet), spiced up with a notion of Scotch whisky, first appears in JM1910 with Byrrh instead of Dubonnet, as usual in the earlier books. It is not picked up by Straub, and appears to be named for one of the local fixtures at Jack’s bar.

357. Union League Cocktail

My interpretation:
  1.25 oz Gin Lane 1751 Old Tom
  0.75 oz Offley Tawny Port
  1 dash Fee Brothers Orange Bitters

Fill mixing-glass half full with ice, stir well (about 30 seconds), strain into cocktail glass, serve. — The Union League comes to JM1916 from Straub 1913/1914, where it has the slightly stronger ratio of 2:1 rather than 3:2. It is named for one of the famous conservative clubs, perhaps that in New York on Union Square, which has since moved; though since this recipe is found first in Straub, who spent time in Chicago, that Union Club may be the originator. Its similarity to Kappeler’s Princeton Cocktail is notable (Jack’s is a Gin Cocktail topped with Seltzer), except that he layers in the port neatly instead of stirring it in. The Union League is all but forgotten as such (a brand new, impostor “Union League” with whisky and orange juice is now being promoted), with the Princeton slightly more common. The most famous Gin+Port drink at present seems to be the more citrusy Crimson.

 

356. U. C. Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Extra Dry Vermouth
  1 dash St. George absinthe verte

Fill shaker with ice, shake about 30 strokes, strain into cocktail glass, serve. — This shaken Martini+absinthe recipe first appears in Straub 1913 without a hint as to the source of the name.
 

355. Two-Spot Cocktail

My interpretation:
  1 oz Pierre Ferrand Dry Curaçao (uncolored)
  1 oz Martell VS Cognac

Fill shaker with ice, shake, strain into cocktail glass, twist lemon peel, garnish, serve. — This Straub 1913 Duo with the unusual call for Curaçao Brun (not readily available here) has been modified in my preparation by the use of a Curaçao which necessarily presents a different flavor profile as well as color. In any event, the drink appears to be a local phenomenon in Straub and Grohusko which did not afterward gain traction.
 

354. Tuxedo Cocktail

My interpretation:
  1.5 oz Gin Lane 1751 Old Tom Gin
  1.5 oz Dolin Dry Vermouth
  3 dashes Angostura bitters
  1 dash Luxardo maraschino
  1 dash St. George absinthe verte

Fill mixing-glass half full with ice, stir well (about 30 seconds), strain into cocktail glass, add cherry (here Amarena), serve. —This heavy-hitter classic cocktail from the Tuxedo Club, NY, is offered by Grohusko in a redder, more heavily bittered incarnation. Straub 1913 sees Jack and raises him a barspoon of sherry wine (authentic secret or misguided allusion to the Tussetto? See previous post). McElhone garnishes this with a lemon twist. Craddock (in the No. 2 by this name) has cherry and expressed lemon peel, but the drink is shaken. For further information, see Difford’s detailed post.
 

353. Tussetto Cocktail

My interpretation:
  1.25 oz Castle & Key London Dry Gin
  0.75 oz El Maestro Sierra Oloroso Sherry
  2 dashes Regan’s Orange Bitters

Fill mixing-glass half full of broken ice, stir, strain into cocktail glass, serve. — This recipe, otherwise known as a Sherry Martini, is closely linked to the Tuxedo Club, also spelled Tucseto or Tucsedo after the Indian term for which the eponymous community club was named. Grohusko’s spelling here seems unique, and may be regarded as an Italianized interpretation of the spelling, though it first appears that way not in JM 1916 but in Straub 1913. The Savoy (1930) has two Tuxedos of the martini+absinthe vein, neither with sherry. It is the most simple and elegant of all the Tuxedo-related drinks. Further information for this and the next drink, the Tuxedo proper, is found here.
 

352. Turn Cocktail

My interpretation:
  2 oz Plymouth Sloe Gin
  4 dashes Fee Brothers Cardamom Bitters

Fill mixing-glass with cracked ice, stir, strain into cocktail glass, serve. — This mostly sweet, slightly bitter postprandial recipe first appears in JM 1912 under this name, and is evidently unknown by that name in other books. It represents a mild improvement on unadulterated sloe gin, and a great improvement on the room-temperature variety.
 

351. Turf Club Cocktail

My interpretation:
  1 oz Bols Genever
  1 oz Martini & Rossi Vermouth Rosso

Fill mixing-glass half full with ice, stir well, strain into cocktail glass, serve. — This sweet Martini riff calls simply for “gin” here, which in Jack’s Manual should be a clue that a non-dry gin is meant, usually Holland or Old Tom. In JM 1912, the first JM appearance, the Holland gin is called for. The analogous recipe in Straub 1913 (called “Turf Cocktail No. 2” and adding bitters), has a malty, bread-like quality which is offset nicely by the vermouth and distinguishes the drink from the standard sweet Martini. Straub’s version with the bitters shows up again in The Old Waldorf Bar Days (1931), as he probably got it from the Old Waldorf bar. Depending on the vermouth, bitters could improve the drink; with a vermouth like Cocchi it might overdo it.
 

350. Turf Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  2 dashes St. George Absinthe Verte
  2 dashes Luxardo maraschino
  2 dashes Regan’s Orange Bitters
  1 dash Fee Brothers Cardamom Bitters

Fill mixing-glass half full of ice, stir well, strain into cocktail glass, drop in olive, serve. — This Dry Martini augmented by dashes from half the liquor cabinet appears in JM1908 and continues unchanged. It becomes the Turf Cocktail No. 1 in Straub 1913, where the No. 2 is Holland gin, sweet vermouth, and bitters—essentially a Sweet Martini with genever, which is the recipe named “Turf Club” in JM1916 (see the next post), but simply “Turf” in the Old Waldorf Bar Book (1931).

 

349. Tulane Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  1 tsp strawberry syrup

Fill shaker with fine ice, shake, strain into cocktail glass, serve. — This Dry Martini with a strawberry twist first appears in Straub 1914. Since I had strawberry syrup made recently, I used that instead of strawberry brandy. The difference is probably minimal at such a small quantity.

348. Tucker Cocktail

My interpretation:
  1.5 oz Old Forester Kentucky Straight Bourbon Whisky 100 pf
  0.5 oz Noilly Prat Extra Dry Vermouth
  1 dash Angostura bitters

Pour ingredients directly in glass with large piece of ice and lemon twist. — This Dry Manhattan served down on the rocks appears first in JM1910. The instructions generally seem to imply that the lemon twist should be placed in the glass first before stirring.
 

347. Trowbridge Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  1 dash Regan’s Orange Bitters

Fill mixing-glass half full with ice, stir, strain into whisky glass, garnish with orange twist, serve. — This Sweet Martini with a twist, served down, first appears in Straub 1913 in a 2:1 ratio, sweetened up to 1:1, as usual, when copied by JM1916. There is no mention of ice, so a legitimate form of this drink would include a direct pour, esp. if the vermouth is duly chilled.

346. Trilby Cocktail

My interpretation:
  1 oz Castle & Key London Dry Gin
  1 oz Martini & Rossi Sweet Vermouth
  1 dash Regan’s Orange Bitters
  1 dash Angostura aromatic bitters
  2 barspoons Rothman & Winter crème de violette

Fill mixing-glass half full with ice, stir well (20-30 seconds), strain into cocktail glass, add cherry, add crème de violette carefully so that it settles in a clear layer at the bottom of the glass. — Of all the recipes going by the name Trilby, this one may be the most perplexing, due to the fact that the specific gravity of the concoction is not high enough to support a crème of any kind on its surface. This cannot be traced back further than JM1916. Straub 1913 has the recipe but calls only for a 1/6 jigger of Crème Yvette and does not specify floating or layering of any kind. He also uses Old Tom gin (that is usually the source of Grohusko’s generic term “gin,” and indeed it is supported by earlier editions calling for Tom gin). McElhone’s 1927 recipe replaces the Old Tom gin with scotch and the
Crème Yvette with Parfait d’Amour. The Old Waldorf Bar Days (1931) keeps (or rather, is the source of) Grohusko’s recipe, without specifying float or layering of the Crème Yvette, thus confirming the propriety of laying the blame at the feet of Grohusko (or whoever was his direct source).